Born in Celano, Italy (1968), he gave his first concert at the age of ten and since then has performed in many of the major musical venues in Italy and worldwide.
EMI Record Company released a triple CD Box of his recordings: Live at the Teatro Colón in Buenos Aires (Musorgskij, Pictures of an Exhibition), Live at the Jewel Box Series in Chicago (Scarlatti, Nine Sonatas) and Live at La Scala in Milan (Mozart, Kegelstatt-Trio and Schumann, Märchenherzählungen op. 132 and Romances op. 94).
Among his other recordings, the album Notturno (EMI), the Two Sonatas op. 120 of Brahms for piano and clarinet with Fabrizio Meloni (Amadeus) and the Sonata op. 123 of Saint-Saëns for cello and piano with Luigi Piovano (Eloquentia).
Furthermore, they are also programmed, for Universal, the recording of Mozart and Beethoven Quintets for Piano and Winds together with the Soloists of the Teatro alla Scala (Fabrizio Meloni and Gabriele Screpis) and the Santa Cecilia National Academy (Alessio Allegrini and Francesco Di Rosa); and, for Warner, the recording of the Romanze and Liriche by Francesco Paolo Tosti and Franco Alfano (in a disc entitled “The London Debut“) with the soprano Eleonora Buratto.
Author of articles, columns and cultural documentaries for major Italian national TV channels (Mediaset, Istituto Luce – Cinecittà) and newspapers (Panorama and Il Giornale), music magazine Amadeus recently wrote about him as “a great figure of Italian culture”.
Artistic adviser of International Piano Competition “Ferruccio Busoni” in Bolzano (Italy), his prestige brought him the be named Distinguished Professor of Chamber Music at the “Incontri col Maestro” International Piano Academy in Imola (Italy). He’s also Professor of Chamber Music at the “Antonio Buzzolla” Conservatory of Music in Adria (Italy).
In Ravenna (Italy) he has been awarded the Special Mention of prestigious Premio Giustiniano “for the unquestionably unique quality of his presence in the musical landscape in Italy and beyond. Carusi has succeeded in combining his brilliant career as a musician, crowned by international success and acclaim, with equally intense, prestigious work in spreading, commenting and reflecting on music by means of the press, television and all the new media”.
The “Nicola Irti Foundation for Charity and Culture”, chaired by prof. Natalino Irti, invited him to hold a series of dialogues on Music as part of its memorandum with the Italian Superior Council of Magistracy and the Italian Ministry of Justice in order to promote meetings of general Culture in the penitentiary facilities.
Nazzareno Carusi is deeply attached to his native region and in 2012 the Presidency of the Regional Government of Abruzzo awarded him the title of “World Ambassador for Abruzzo for his exceptional artistic merit and the prestige he has brought to Abruzzo”.
He was a pupil of Alexis Weissenberg, Viktor Merzhanov, Lucia Passaglia and Adriano Vendramelli.
Nazzareno Carusi was named “Steinway Artist” by world-famous piano company Steinway & Sons.
«Nazzareno Carusi is an excellent pianist and a musician of the highest caliber».
«I have been struck by Nazzareno Carusi’s artistic talent and wide-ranging repertoire. His interpretation of Schubert’s Improvvisi op. 90 is the most charming and with the most beautiful sound I’ve ever heard».
«The pianism of Nazzareno Carusi is characterized by an extraordinary virtuosity and an explosive artistic temperament».
«Our political ideas are the opposite (I am an old communist), but this has nothing to do with music; and when we talk about getting our hands on the piano then with Nazzareno Carusi we have to take off our hat».
«For years I wanted a pianist who “sang” to the keyboard as Nazzareno Carusi does. The great pianist Alexis Weissenberg judged his “cantabile” among the most beautiful that he had ever heard. Carusi sings with the piano. I do not feel accompanied by him, but I duet with him, as if he were another voice. It is a very rare artistic harmony, especially between a singer and an instrumentalist».
«The musical experiments of ‘Due per Aria’ Project make me happy. Of course I could do it only with a pianist like Nazzareno Carusi, who has a foolish mindset. A classical pianist who has his head only in that world there, could not have faced such a concert».
«Nazzareno Carusi and I have the same desire to break down the fences that surround the Music».
«It is an old story how to interpretate the piano music of the Baroque period on the modern instruments. One group of pianists plays strictly like on a harpsichord, without any “musically” impact, mechanically. The other plays Scarlatti in a nineteen century’s mode like Hummel and his colleagues of the early Romantic age. Furthermore the “Horowitzes”, who uses those tiny jewels as encores in the tea-time concerts. The way Nazzareno Carusi is treating the delicate matter of Scarlatti’s Sonatas is more or less the only interpretation which is really convincing. He plays on the modern instrument with the spirit of the harpsichord avoiding the simple technical approach but showing us the possibilities of a real declamation. That makes his reading of Scarlatti unique».
The Soloists of Teatro alla Scala in Milan (Francesco Di Rosa, Fabrizio Meloni & Danilo Rossi)
«Playing with such a particular artist, so versatile and so great as Nazzareno Carusi, even for us it is not an everyday joy. Carusi brings in his ‘chamber music playing’ all the brilliant and profound power of his ‘soloism’ without ever defeating his musical adventure colleagues. On the contrary, making the execution easier and always completely new».
«Chamber Music is not a refuge and Carusi is a genius».